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Other Leads & Cables

Peavey 15' Jack to Jack Speaker Cable

Peavey 15' Jack to Jack Speaker Cable

Peavey 15' Jack to Jack Speaker Cable The PV(R) Series Cables offer quality and reliability at an affordable price! Equipped with Neutrik(R) connectors 15 ft. length

£7.99

Peavey 15ft Speaker Lead
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Die Hard DH240LU1 1 Metre balanced signal Cable

Die Hard DH240LU1 1 Metre balanced signal Cable

Die Hard DH240LU1 1 Metre balanced signal Cable Available in many different shapes and sizes, covering many different applications Proel’s Die Hard Microphone Cables are professional quality and very reliable. Each Cable is put through vigorous...

£12.99

Die Hard DH530LU18 1 8 metre RCA Cable

Die Hard DH530LU18 1 8 metre RCA Cable

Die Hard DH530LU18 1 8 metre RCA Cable Proel’s Die Hard cables can be classified as a very high quality connection system for professional applications due to the amount of testing and measuring that each cable is subjected to. So confident in...

£12.99

Die Hard DH240LU3 3 metre microphone Cable

Die Hard DH240LU3 3 metre microphone Cable

Die Hard DH240LU3 3 metre microphone Cable Available in many different shapes and sizes, covering many different applications Proel’s Die Hard Microphone Cables are professional quality and very reliable. Each Cable is put through vigorous tests...

£13.99

Peavey Cable 20ft HiZ Mic

Peavey Cable 20ft HiZ Mic

Peavey Cable 20ft HiZ Mic This lead is for connecting a microphone with a 3 pin XLR connector to an amplifier with 1/4 inch jack input. This is what is known as a high impedance connection.

£15.99

High impedance microphone lead for your PA system.
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Other Leads & Cables

Just like the mics themselves, microphone cables are available in high impedance or low impedance format and therefore it is important to match the correct cable with the correct type of microphone. There is also a choice of interface depending on the facilities available on your mixer or PA amplifier. The choices are either a ¼" jack plug or an XLR 3-pin interface.

Low impedance cables are more suitable for long cable runs such as where microphones connect to a multi-core stage-box system as a high impedance line that is interacting with outside electrical interference will act more like an "antenna" than a low impedance line and thereby attract noise interference.

Keeping impedance low and using quality cables can be important issues for maintaining wide frequency response in long cable runs. However, the impedance of the transmission line (or cable) is affected by the impedances of the devices that are connected to it.

A high impedance microphone or guitar will usually output a greater signal (voltage) than a low impedance microphone. This high impedance signal works fine and even has some advantages in a sound system as the mixer or amplifier doesn't need to boost the signal as much. Therefore, any noise on the line remains un-amplified and this results in an improved signal to noise ratio.

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